Ira Robbins began publishing Trouser Press in 1974 for all the right reasons: love of music on the margins, Anglophilia, fun. That he and co-founders Dave Schul...
Michael Belfer and his Bay Area-based bands the Sleepers and Tuxedomoon were mainstays, along with Crime, of the San Francisco punk and post-punk scenes of the ...
Eldridge Cleaver (1935-1998) was an enigma. The former Black Panther, revolutionary and author was also a murderer, rapist, latter-day Born Again Republican and...
Despite being regarded as one of her generation’s greatest singer-songwriters, Joni Mitchell labored in relative obscurity for years before Reprise released her...
We can't think of any better person to ring in the new year at PKM than Jimi Hendrix. A new documentary investigates the Hawaiian concert that became Rainbow Br...
The Incredible String Band was best-known as the vehicle for the otherworldly talents of Mike Heron and Robin Williamson. However, two other members, Rose Simps...
Peter Laughner is one of those ‘what could have been’ rock & roll stories, and nobody knew that potential better than Adele Bertei, who shared a house with ...
It’s A Beautiful Day, with their soaring, unforgettable “White Bird,” were an anomaly among bands of the San Francisco psychedelic scene of the late 1960s. With...
Before the hippies swarmed in to reshape America’s counterculture—and before the city embarked on a disastrous urban renewal (or 'redevelopment') plan—the Fillm...
Influenced by the punk scene centered at Mabuhay Gardens, and the fun, bohemian spirit of a city that was, back then, an affordable place to live, Judy Gittelso...
The subtitle to Remain in Love, the new memoir by Chris Frantz, is “Talking Heads, Tom Tom Club, Tina”. He was the co-founder and drummer for the first named ba...
Though the guitarists for The Yardbirds got all the ink, the band's other four members—bassist Paul Samwell-Smith, drummer Jim McCarty, rhythm guitarist (and la...
Bruce Licher’s rise to the top of post-punk graphic design began in 1980 as a means to package the music for his own bands, Project 197 and Savage Republic. Gra...
Philadelphia’s relatively short-lived (1956-1967) Cameo-Parkway label never got the attention of contemporaneous labels like Motown, Chess, Stax, Scepter/Wand o...
