Life After Black Flag

PKM EditorJanuary 24, 2013

Brian Walsby0 Comments 0

by Brian Walsby

http://brianwalsby.net

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Carol Kaye started as a jazz solo guitarist, working the club scene of 1950s LA, when she was asked to work on some studio tracks for Sam Cooke. Though she loved the bebop jazz scene, Carol was a single mother with three kids and so to the studios she went, eventually switching to bass. She ultimately changed the very sound and role of that instrument in pop music as a member of what drummer Hal Blaine dubbed The Wrecking Crew (but which Carol has called The Clique). By any name, these were the session musicians who shaped some of the biggest hits of the 1960s, after which she went back to playing live gigs and working in movies and television, writing and teaching, which she is still doing in her 80s. Michael Shelley talks with the amazing Carol Kaye for PKM. Read more!

Maryjane Calyx on THE GHASTLY ONE: JIMMY MCDONOUGH TALKS ABOUT ANDY MILLIGAN AND HIS TRANSGRESSIVE CINEMAThis article caused me to stop thinking about the stuff I was thinking about; thank you. This struck me as particularly interesting: "an angry, abusive, sex-crazed, often charming, macho queen who was conversely quite conservative, or at least suspicious of those who could experience the freedom flowering of the Sixties
Dorothy on BLOOD NOT SO SIMPLE: CHARLES HARRELSON, WOODY’S DADAwesome insightful article
Stuart Ake on VIOLENT FEMMES: NO NORMAL BANDThanks for the thoughtful and thought-filled piece. I had no idea the Carnegie Hall show loomed large in the history. My NYU dorm mates and I had floor seats 10ish rows back. I had just gotten turned on to Leo Kotke and John Fahey, so I remember being disappointed that

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Life After Black Flag

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