via Literary Hub - The Original Chroniclers of Punk on How They Did It -
When Jean Stein and George Plimpton began compiling their book American Journey: The Times of Robert Kennedy, using the oral history format, little did they realize that they were inventing a revolutionary new literary genre that, ten years later, would land them on the best-seller list.
When Gillian McCain was in high school she took an aptitude quiz that told her she should consider a career in "writing with a sociological bent, especially about fringe groups." A decade or so later, she teamed up with writer and editor Legs McNeil for their seminal history of New York's '70s punk scene, Please Kill Me. Score one for the quiz, right?
IF YOU’VE READ it, you probably remember exactly where you were when you first encountered Legs McNeil and Gillian McCain’s Please Kill Me: The Uncensored Oral History of Punk. I first came across the book as a 16-year-old kid in a small town in southwestern Colorado. I’d recently discovered punk, and went about putting safety pins in my clothes and calling myself a punk, but for all I knew, punk rock began and ended with the Sex Pistols. When I found Please Kill Me on the shelf of the local bookstore, I bought it without question, expecting mohawks and mosh pits. I couldn’t have been more wrong.
PKM 20th in the NME!! - -
"Please Kill Me, the oral history of punk written by Legs McNeil and Gillian McCain, was published 20 years ago this year. It's credited as the book that popularised the oral history format, but, more than that, it's an essential read for anyone with even the slightest interest in the movement. "
The Tour of Ace Hotels continues in southern California
with Guest Host: Michael Des Barres -
-SATURDAY JULY 30 at ACE HOTEL PALM SPRINGS
@acehotelpalmsprings -
-MONDAY AUGUST 1 at ACE HOTEL DOWNTOWN LOS ANGELES
@acedtla -
Please Kill Me made its way into my life 13 years ago, when I was 14. I used to hang out at a record store in South Florida, where I'm from, and at one point the store clerks decided to take me under their wing. One of the clerks, Chris, ripped out a tiny slip of paper from behind the counter. He wrote the words “Please Kill Me” on it and handed it to me. "Go to the bookstore and get that book," he said. Music nerd in training that I was, I did as I was bidden without question. And so I entered the world of punk from its very beginning, told by the people who lived it.
Please Kill Me is the first oral history of the most nihilist of all pop movements. Iggy Pop, Danny Fields, Dee Dee and Joey Ramone, Malcom McLaren, Jim Carroll, and scores of other famous and infamous punk figures lend their voices to this definitive account of that outrageous, explosive era. From its origins in the twilight years of Andy Warhol’s New York reign to its last gasps as eighties corporate rock, the phenomenon known as punk is scrutinized, eulogized, and idealized by the people who were there and who made it happen.
The event was called “A Night of Words and Music with Patti Smith, Lenny Kaye, and Tony Shanahan,” and it kicked off what is to be the three-week long Lincoln Center Out of Doors Festival. The festival, which is one of the oldest and totally free summer fests in the country (yes, I saw Patti Smith for absolutely FREE), boasts a loaded lineup that focuses heavily on influential women artists belonging to various mediums such as music, dance, and spoken word.
Please Kill Me is celebrating its 20th anniversary this year with a re-release and a series of readings (well, more like parties with music, alcohol, and Michael Des Barres hosting). BUST spent some time with Legs and Gillian and talked about the book, the evolution of punk, and how the show Vinyl got it all wrong.
Patti Smith recalls her days living at the legendary Chelsea Hotel. Highlights include living under the same roof as Janis Joplin and running into William S. Burroughs at the bar across the street. Patti may not have had much money in her younger years, but she lived a very culturally rich lifestyle.