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THE FUNNIEST, GROSSEST AND MOST LURID STORIES FROM ‘PLEASE KILL ME!’ (NME)

Amy Haben·
PKM 20th in the NME!! - - "Please Kill Me, the oral history of punk written by Legs McNeil and Gillian McCain, was published 20 years ago this year. It's credited as the book that popularised the oral history format, but, more than that, it's an essential read for anyone with even the slightest interest in the movement. "
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‘PLEASE KILL ME,’ 20 YEARS LATER! (NOISEY)

Amy Haben·
Please Kill Me made its way into my life 13 years ago, when I was 14. I used to hang out at a record store in South Florida, where I'm from, and at one point the store clerks decided to take me under their wing. One of the clerks, Chris, ripped out a tiny slip of paper from behind the counter. He wrote the words “Please Kill Me” on it and handed it to me. "Go to the bookstore and get that book," he said. Music nerd in training that I was, I did as I was bidden without question. And so I entered the world of punk from its very beginning, told by the people who lived it.
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GILLIAN MCCAIN AND LEGS MCNEIL ON THE INDY CAFE RADIO SHOW WITH HOLLY STEPHEY AND SPENCER DRATE!!

Amy Haben·
Please Kill Me is the first oral history of the most nihilist of all pop movements. Iggy Pop, Danny Fields, Dee Dee and Joey Ramone, Malcom McLaren, Jim Carroll, and scores of other famous and infamous punk figures lend their voices to this definitive account of that outrageous, explosive era. From its origins in the twilight years of Andy Warhol’s New York reign to its last gasps as eighties corporate rock, the phenomenon known as punk is scrutinized, eulogized, and idealized by the people who were there and who made it happen.
All Please Kill Me PostsAmy HabenFrom The WebGillian McCainLegs McNeilPlease Kill MePlease Kill Me 20th Anniversary
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ONE PRAYER ONE SIN RESURRECTS OLD GHOSTS!

Amy Haben·
Listening to One Prayer One Sin erupts symbiotic visual reels of 70's city's streets and Travis Bickle wearing a bloody smile. Watching singer Johnny Scuotto flail his arms around hysterically while taunting the audience with a devilish grin pronounced by bare brows as he shouts and jerks around- can only properly be described as a "psychopathic Ian Curtis" dance. OPOS is a dynamic combination of the Birthday Party, the Pop Group, Brian Eno, and a distinct influence from Iggy Pop's albums of 1977, The Idiot and Lust For Life.
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