1. Over The Edge (1979) -- Matt Dillon's first movie about kids in some suburban California town that rebel against the cops is fantastic, though it didn't really get much attention when it came out.
When did rock n' roll get boring? The NY Dolls had it all. They dressed like a Susanne Somers workout tape on crack, they figured out that heavy bangs and layered hair can work well on guys, managed to get women hot while wearing heels, and played fun tunes to let your hair down to. Substance without style may be good on your record player, but what about the live show?
It was a tight squeeze for the Heartbreakers, L.A.M.F. show featuring original member Walter Lure, Tommy Stinson of the Replacements, Wayne Kramer of the MC5, Clem Burke of Blondie and guest stars jumping on stage.
As authors of Please Kill Me: The Uncensored Oral History Of Punk, Gillian McCain and Legs McNeil influenced a lot of people on several levels. Now regarded as the best-selling book on punk rock of all time, Please Kill Me first and foremost described what the heyday of the New York City punk scene was like as according to people that were around it. It cleared up myths about key players in the scene, and also helped readers pick up on some of the era’s underappreciated characters.
School mates from Croydon, England came together to violate their parent's ear drums with punk rock noise in 1974. The aggressive center being singer Paul Halford (whose alter ego was Johnny Moped), with Captain Sensible of the Damned on guitar. Many other names were used, including Assault and Buggery, before settling on Johnny Moped by 1975.
Legs McNeil will be reading Please Kill Me at Desert Island in Williamsburg, Brooklyn this Thursday, Oct.13th at 7pm. Come out and celebrate the 20th anniversary of Please Kill Me by getting your book signed!
Twenty years ago, Legs McNeil and Gillian McCain published Please Kill Me: The Uncensored Oral History of Punk, a scabby inside-look at the wildly fun, incredibly seedy and at times terrifying underbelly of the 1970s New York City punk scene.
With her pale skin and perfectly messy black mop of hair, Lydia was always the goth beauty, with a sailor's mouth, and a revolutionary's brain. The femme fatale of outsider films, music and poetry in pointy toe black patent boots. Her part in the Richard Kern film, "Fingered" was especially outrageous. Never shy, Lunch willingly participates in explicit sex scenes. The film was based on 16 year old Lydia and Marty Nation's violent hitchhiking adventures which would usually end with Marty's knife slashing the interior of their ride.